Friday, November 9, 2012

Art restoration San Francisco Bay Area.

Art Conservation & Restoration Sergey Konstantinov
Art studio Sergey Konstantinov
www.mindspring.com/~fineart3
http://artstudiosergeykonstantinov.blogspot.com/
fineart3@mindspring.com
skype-sergey.konstantinov2
Facebook
415 928 8290



What is the difference between a CONSERVATOR and a RESTORER.

Many people are confused about the difference between an art conservator and a restorer.  To the layperson there is seemingly no difference and the terms are used interchangeably.  However, this is very much not the case and the gulf between "restoration" and "conservation" is rapidly widening.  Art conservators are generally academically trained to at least the level of a Master's degree (M.A.C. – Master’s of Art Conservation – see FAQ on Where do I get conservation training?).  They have training in the scientific, art historical and artistic aspects and requirements of works of art.  Fine art conservation is relatively new (only the last 50-60 years, since WWII) whereas restoration has arguably existed since the beginning of the creation of art when artists restored their own or others' works.  Restorers tend to have been trained as artisans (often apprenticed to artists) or have learned by experience.  This type of learning is a necessary but not sufficient condition to treat works of art in a manner that will reliably ensure their survival.
Conservators attempt to perform the minimum treatment necessary and use as many reversible materials as possible – this is considerably different than a restoration approach.  Conservation addresses the work of art not only from the aesthetic but from a materials point of view.  The structure of a work of art must be thoroughly understood and preserved in order to preserve the image.
American Institute for Conservation of Historic & Artistic Works.

Saturday, September 8, 2012

Contemporary Classical. The Architecture of Andrew Skurman.





Contemporary Classical. The Architecture of Andrew Skurman.






A Georgian Villa with Greek influences in Atherton, California.
Interior Design by Suzanne Tucker, Tucker & Marks, Inc.
Architecture by Andrew Skurman, Andrew Skurman Architects, Inc.
Mural room.Art Studio Sergey Konstantinov.

Sunday, August 12, 2012

Ann Getty Interior Style.



www.amazon.com/Ann-Getty-Diane-Dorrans-Saeks/dp/0847837912
Written by Diane Dorrans Saeks, Photographed by Lisa Romerein.





Сергей Константинов.Пара картин Книжные полки.
Sergey Konstantinov.Paintings Bookshelves.

Monday, May 14, 2012

Арт мастерская Сергея Константиновa.

Арт мастерская Сергея Константиновa.
Pоспись в техники гризайль.
Международный журнал о дизайне Дом&Интерьер. 06.2012.
http://www.dominterier.ru/
Москва.

На холмах Греции. Неоклассическая резиденция в Калифорнии, созданная дизайнером Сьюзан Такер под влиянием греческих и грузинских декоративных традиций.






Для гостиной дизайнеры выбрали светло-коричневую гамму и блестящие антикварные итальянские люстры. В столовой гости могут любоваться ручной росписью в технике гризайль (арт-мастерская Сергея Константинова). Изящное дополнение – антикварные бра из золота и слоновой кости.






Saturday, April 28, 2012

Art Studio Sergey Konstantinov.

 Living Room Designer Suzanne Tucker.
 Art Studio Sergey Konstantinov.
































A Georgian Villa with Greek influences in Atherton, California.
Architecture by Andrew Skurman, Andrew Skurman Architects, Inc.
Interior Design by Suzanne Tucker, Tucker & Marks, Inc.


Mural room.Art Studio Sergey Konstantinov.


Friday, April 27, 2012

Арт Студио Сергей Константинов.

Konstantinov Sergey Nikolaevich. 
Константинов Сергей Николаевич.

















Art Studio Sergey Konstantinov.
Арт Студио Сергей Константинов.


Арт Студио Сергей Константинов профиль, художественное оформление интерьера, живописный дизайн интерьера комнаты.  Живопись. А также рабоет с архитекторами и дизайнерами вместе при созданнии уникальных проэктов. Консервация рестоврация произведений искусства.
Консервация рестоврация рельефа Ренесанс мастер Andrea della Robbia 1399-1482.
Консервация рестоврация .Ваза с портретом Бенджамина Франклина.
Консервация рестоврация.Живопись.Nikolay Andreyevich Koshelev.The Plunder of Vladimir by the Tartars. Москва.
Консервация рестоврация.Живопись.Илья Ефимович Репин.
Живопись.Пара картин Книжные полки, Энн Гетти коллекция.
Живопись.Портрет Ed Hardy, коллектором прикладнова искусства.
Живопись.Портрет Оперный певец Ronald Datko.
Живописный дизайн интерьера комнаты. Дизаинер Suzanne Tucker, архитектор Andrew Skurman. Сан Франциско. Architectural Digest 100 Лучших дизаинеров мира.Книга.Rooms to Remember: The Classic Interiors of Suzanne Tucker.
Живописный дизайн интерьера комнаты.Персидская комната.Сан Франциско.
Живописный дизайн интерьера комнаты.Китайская комната.Сан Франциско.
Живопись представляет Shears & Window. San Francisco Design Center.
Живописный дизайн интерьера комнаты.Китайская комната.The San Francisco Fall Antiques Show 2000. Сан Франциско.

Wednesday, November 24, 2010

Roman Fresco. Domus Aurea.

Fresco discovered in the late 15th century in Rome that would influence Raphael and other artists to create a system of ornamentation and motifs that would change the direction of the decorative arts from the Renaissance onward.



http://www.flickr.com/photos/ian-w-scott/5149278056/

Garden mural from the House of Livia
The garden mural from the triclinium in the House of Livia, Rome. The paintings date ca. 30-20 BC. The murals are now displayed in a dedicated room of the National Museum of Rome, Palazzo Massimo.



http://www.flickr.com/photos/ian-w-scott/5148639829/in/photostream/#/

End wall-House of Livia Mural
One end wall of the frescoed triclinium (dining room) in the House of Livia, Rome. The garden is populated with plants related to life, death, and immortality. An oak (linked to Jupiter's power) flanked by a pomegranite at left (attribute of Demeter and fertility symbol) and quince at right (sacred to Aphrodite and bestowing good luck at weddings) laden with fruit. In the background between these are oleander bushes in bloom (toxic and symbols of death) and cyprus trees. The flowers lower down include (from left to right) coronary chrysanthemum (woven into funerary garlands to protect the dead), opium poppy (a prominent narcotic in the myth of Demeter), cabbage rose (a symbol of love), fetid camomille (used in garlands, known for medicinal value). In front of the low fence grow wild violets (associated with Attis and carried in procession each March 22nd on the 'dies violae') interspersed with common solopendra, a member of the fern family (protected against snakes and may have been used at funerals). The birds include thrushes, a blackbird, a partridge, The paintings date from 30-20 BC. The murals are now displayed in a dedicated room of the National Museum of Rome, Palazzo Massimo.